What is RawGround?

RawGround 26 features works by eight artists of diverse professional and cultural backgrounds, highlighting a rich tapestry of voices from Southeast Asia and beyond. This edition includes Mari Kalabegashvili (Georgia/Germany), Fangas Nayaw (Taiwan), Lau Hong Hu (Malaysia/Singapore), Adzlynn Fizra (Singapore), Gardika Gigih (Indonesia), Euginia Tan (Singapore), Tan Wei Ying (Singapore) and Wong Jin Yi (Singapore).

The inclusion of artists from the broader region and international contexts enriches the platform’s cross-cultural dialogue, underscoring RAW Moves’ commitment to fostering regional and global artistic exchange. The films in the upcoming showcase, each delving into the theme of ‘pretending’, are intricately interconnected, offering a layered and holistic exploration of the human experience.

Why 2 Films, 1 Conversation?

Micro-RawGround

About RAW Moves

Established in 2011, RAW Moves is a contemporary dance company, which focuses its establishment, connection and direction of work with the spirit of inquiry.

Redefining Movement
RAW Moves, is deeply committed to embracing contemporary dance philosophies that recognise the human body as an abundant wellspring of movement possibilities. Our approach extends beyond the mere external expression of inner emotions through motion; it embodies a deliberate avoidance of superfluous elements that might distract from our core research inquiries. Although our primary aim is not to create a unique signature movement style, our unwavering dedication lies in the thoughtful and selective application of dance and movement technique and knowledge.

RAW Moves Ltd is a recipient of the National Arts Council’s Major Company Scheme for the period from 1 April 2025 to 31 March 2028.

For more information, please visit rawmoves.net. Follow us on Instagram @rawmovessg and on Facebook RAW Moves

About Dramaturg

Dr Nidya Shanthini Manokara (PhD NUS) is a dance researcher - practitioner. Trained in Bharatanatyam, her academic research interests include evolving Asian performance practices and their affective registers.

She has taught a range of courses at NUS, NTU and LASALLE College of the Arts. She has completed a Dramaturgy Apprenticeship with Centre 42.

Shanthini is also an External Assessor for dance with National Arts Council.  

Fascinated by diverse approaches to performance making in the region, Shanthini aspires to inculcate a culture of discursive conversations about dance processes (of dancing and dance-making) that would strengthen professional ties between choreographers, dancers and audiences.

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